Hellraiser-Heritage

“Heritage,”kicks things off for Hellraiser. The duelling guitars set the tone nicely, and ensure the listener is fully engaged.

“Plagues Of The North,” comes in like a battering ram, ensuring that the listener is immediately intrigued. The guitars are thunderous, the vocals soar and turn on an edge.

“Ritual Of The Stars,” moves quickly. Hellraiser know what they’re about. The song carries a powerful narrative and the instrumentation more than back this up.

“Fairy Veil,” leads with a thunderous bass line, shifting and turning on an edge. As the song progresses the tempo increases, the vocals come in with a nail biting proficiency and the listener is hooked.

“Mother Holle,” is a call to arms. Hellraiser works itself through the time continuum and ensures that nothing else matters apart from the battering riffs and serenading melodies.

“Preludio,” provides some nice breathing space allowing the madness to settle for a period.

“Delvcaem,” is a ripper of a song. Hellraiser roar through it like a monster culling the fat. A song that is built on a powerful riff and a melody that boosts connectivity.

“Balance Of The Universe,” unleashes carnage. A song that gallops along the plains like a mad man. It chases the hook and by all means gathers it up into one connective place.

“Voice In The Wind,” gets bluesy and reflective, enabling Hellraiser to shift the tenor of conversation ever so slightly.

“Zephyr’s Palace,” is a riff raging monster of a song. One that combs through the catacombs of time and unleashes the thought of time onto the world.

“Lady In White,” is simply epic, a song to reach the ages.